Allen Tate: radical, avant-garde, anti-critic, and poet: one of the make-it-New-critics. Seth Abramson is following in Thomas Brady’s footsteps—Seth is trying to comprehend what I figured out a few years ago: the crucial Fugitive/Southern Agrarian/New Critic role in modern American poetry, especially in the Creative Writing Program Industry, or, as it’s come to be known, the Program Era. Seth commented on our blog last week and we are [...]
