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THE POPULAR

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The popular exploits the simple

which ends up being the death of it.

A bang of excitement. And now there is none.

Why God? Because there is.

The solution you find

is the basic one.

The opportunity presents itself, to be

different from all the other poetry.

You take it. The ultimate

statement of naked

in a divided social climate.

A generation later, we laugh.

What was cool now seems ridiculous

and yet it still remembers us

as being that at that time

when not only Aunt Myrtle but Byron could rhyme.

The game show jingle, the roar of the crowd.

Rap lyrics. Every rhythm is allowed

when presented in opposition

to what-was-but-is-now-the-object-of-derision.

The same gestures, over and over, again.

The clapping of hands. Speed. The rude.

Are the chords of “Yesterday” the same as “Hey Jude?”

The once famous songwriter, sixty years on,

taps something out on a computer:

Is that Beethoven?


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