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BECAUSE IT IS LIKE THIS

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Because it is like this,

it is not allowed to be.

It is beautiful, Tom,

but belongs to the 19th century.

You studied poetry long and passionately,

in college dorms,

among rocks and hills.

You felt in love and disappointment the same thrills

every member of the human race feels.

You gazed along earth’s mountains,

in crowded stars knew love’s face,

ripped open packages and made meals.

You marched in markets and snows.

You know what every parent already knows.

But there are associations that cannot be

in the cunning realms of poetry.

One of those is the 19th century

and its heroic, romantic quality

mixed with something we moderns reject

as too foolish, too hyperbolic, too perfect.

Napoleon and Beethoven will never come again.

The Wordsworth of rambling meters,

the Keats who was almost Christian

but knew too much was hinted

by pagan love, to be interrupted

by preachers who preach in vain

on sad sounds which sound again.

Wordsworth will not repeat, either.

Nevermore, the romance of fever

or looking for the beauty in the sad,

or Betty, childish, innocent, and glad.

You’re looking, also. That’s true.

But going back in time, Tom, is not the thing to do.

Lie on Shelley’s neck.

Listen to the speech of swans.

The minute you tried to do that, Tom, you were gone.


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