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WERE IT PERMISSIBLE TO HAVE PURE MUSICAL SOUNDS

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Were it permissible to make pure musical sounds
in poetry, I would.
A prelude of notes would greet the reader;
I think this would be good.
How could I pull it off?
The sounds of speech resemble in terms of mere sound, a cough.
Words by themselves signify only; their sounds
do not make a speech profound;
Hamlet is not a piece for violin;
Sound alone never slips the meaning in
or signifies events and descriptions for the eye;
Beethoven created a summer storm, true,
but that was nature being loud and soft,
the creature buried, the cloud aloft;
music does what poetry can never do;
poetry is a silent forest of words
sans night, sans forest, sans birds.
Words have sounds, but random ones, and those sounds
do not possess harmony, much less melody;
the harmonizing sounds
of music will always surpass 
the faint note of me;
I cannot complain 
in verse the way Debussy makes it rain;
the pure sorrow of Mozart’s Requiem 
will not be found in my poetry tomorrow.
Sure, I may shake with sorrow---see a dark and weeping hell
where ghosts, glimpsed, mistaken for you, sigh; but they will elude me, music will elude me. Oh, well.


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